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Dec 25, 2018 Edwin VanGorder
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Drawing Stream of Consciousness via Ankara the anchor and Cythera of erotys and arete....
Topics: cyber drawnings Vangorder, art structural rhetorics, art and sculpturotectural philosophy
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    As a flagship and proem I will start with a n unusual reference to VanGogh and the series Vincenzia Desiderata di Cythera /Anti Kythera indicates via the reference of Cythera as on one hand the vigil of Watteau and on the other the adjacent Island upon which was shipwrecked and early Greek analog computer, seccessively quoted by Duchamp as for example the mechanical wateral/ballet of The Given… and this give can be extrapolated in some sense and retaining the aura of a protocomputer in...
Topics: VanGorder cyber drawings, contemporary drawing, drawing and visual rhetoric, art and psychoogy of...
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The work considers the Transitive or node like transformation drawing in the virtual realm enables within a cultural drift within language formation and art as about art between connection and connextion, poiesis and poetics. Accordingly Drawing has the ontology of bridging strata beyond tableau to the broader dynamic of the cupola or morphological arrow in which the cultural aegis and exegis makes the drawing attack petitio. Object petit a then has in this work the transitive mood of relating...
Topics: Edwin Van Gorder Contemporary Computer Drawing Artist, Art and Language Visual Rehtorics of Drawing...
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Mar 8, 2018 Edwin VanGorder
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The book looks into the building up process by which the architectures of self reference in the canononical elipsis of art as about art meets it's meta levels as art and language branching visual rhetoric towards the transformative nodes of virtual art material metasynthesis structure an architecture in the cupola mode of a physicality to aperception marking semiotics from semantics vial dialaectic as threads of discourse in the tropes of topos.
Topics: Drawing and visual perception, Computer Drawing, Edwin VanGorder Contemporary Philosophic Drawings
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The revised version as before - these projects scroll through associations with Watteaus site of Cythera as relating to cyber space (Cythera mechanism on Anti Cythera adjacent island = early Greek computer left   on wreck, devolvements upon that association to cyber drawing space as reconnoitering historical modes and personal archive through a translucency of visual and verbal rhetoric to topographical thinking. But the format plays with a wrap around alternative.
Topics: computer drawing art, Edwin Vangorder drawings, Contemporary Drawing, Drawing and visual Rhetoric,...
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Feb 8, 2018 Edwin VanGorder
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VanGorder’s Vg’s:   these projects scroll through associations with Watteaus site of Cythera as relating to cyber space (Cythera mechanism on Anti Cythera adjacent island = early Greek computer left   on wreck, devolvements upon that association to cyber drawing space as reconnoitering historical modes and personal archive through a translucency of visual and verbal rhetoric to topographical thinking.
Topics: Edwin VanGorder Drawings, Art of Drawing, Cyber Drawing, Contemporary Drawing, Art and drawing...
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Jan 28, 2018 Edwin VanGorder
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Topological nuances of art and language within visual rhtoric
Topics: computer drawing computer art, drawings, contemporary drawing, art and language of drawing, drawing...
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Dec 24, 2017 Edwin VanGorder
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Talking Xmas Story:   I wonder :Could gold be artificially created, an alloy of sorts, like diamonds as created also against nature? Others have had the same thought, and alchemy, the ancestor of chemistry, chairometa, “things of the hand” born of relation to Greek Kreusis or gold has in the cognates of   crucible, chrysalis, chiasmus, chimera,cross, and Christ the elements of the Christmas story which I will give forth in the following cultural black box. Swift’s account in Gullivers...
Topics: Edwin VanGorder Drawings, Computer Drawing, Art and Language
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Dec 4, 2017 Edwin VanGorder
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These works relate drawing as primus to art and language connectives within art about art as language while developing the formal context of Proto Indo European-Sanskrit- Greek matrix to the visual rhetoric which alike structures within them a sense of drawing as verb. The collective project is as a sculptor's sketchbook enlivened by virtual space meta structuralism and extended to a flight space extension with Smithson's last flight as an allegory towards which the text in works relate a kind...
Topics: VanGorder Drawings, Art and Language as Drawing, Art And Psychology, Drawing and Philosophy
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Nov 30, 2017 Edwin VanGorder
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In this book I relate the idea of writing within the work as a conjoined graphos or immersive content of configurative views in the reflective making process in relation to a title “outside”, ie a kind of double verbal frame within the sympathy of drawing and writing as graphos dynamic.      
Topics: Edwin Vangorder Drawings, Drawing Art, Drawing and Psychology of Perception, Drawing Philosophy
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Nov 17, 2017 Edwin VanGorder
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This book draws on Lucino as presented in a Robert Miller collection towards which the thematic is in that case the sense of understatement by which the artist is able to relate his topos of interest as it occurs in the art zone of Bellini, Giorgione, Pordenone, Tintoretto. For me this evokes as well the natural theatre of   Guercino which in a sense an artist like Carpaccio also indicates to some degree. The artists sense of drapery as betokening his immediate studio procedure brings in that...
Topics: Drawing, Edwin VanGorder Drawing, Drawing Research, Art of Drawing, Drawing and Psychology of...
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Nov 17, 2017
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This book draws on Lucino as presented in a Robert Miller collection towards which the thematic is in that case the sense of understatement by which the artist is able to relate his topos of interest as it occurs in the art zone of Bellini, Giorgione, Pordenone, Tintoretto. For me this evokes as well the natural theatre of   Guercino which in a sense an artist like Carpaccio also indicates to some degree. The artists sense of drapery as betokening his immediate studio procedure brings in that...
Topics: Art and Language, Drawing Art, Drawing, Edwin VanGorder Drawing, Visual and verbal rhetoric, Art...
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Nov 15, 2017 Edwin VanGorder
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Rhyming the rhan on a trimarine: summary The idea of the three languages of Proto Indo European and Sanksrit, as well as Greek built upon each other and influenced throughout by a drawing idea of connections in language particularized to the use of the aspirant H ( marking emphasis , mood, drawing with breath)   existing in the PIE “abhro”or quickening of form (cognate of bridge, brow, brew) as we see in our use of “abrogate” or lawfully amend is furthered in the Sankstrit to...
Topics: Drawing Diaenetics of virtual space, Contemporary Drawing, Edwin VanGorder Drawing, Drawing on...
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Oct 22, 2017 Edwin VanGorder
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This book considers the sculptural projection within virtual space of the paradigmatic formal cognates of osmotic materialization as corolary of  serial division. As rooted deep within language resources of Proto IndoEuropean root such materializtion osmotics play out this cognitive threshold through a rethinking of the rhetorical-canonical-poetics available to the newly constructive imagination which in the circumstances I propose play out a space concieved to be like sculptors large scale...
Topics: Drawing Dianetics, Drawing and Philsophy, Visual Verbal Rhetoric and Drawing, Contemporary Drawing,...
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Oct 4, 2017 Edwin VanGorder
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  This project archives in a double sense of presenting works involved with art and language while at the same time introducing new work as I go as being the essence of building an archive. The interest is in the formative character art builds over and within language, a double bridge which brings meaning to its nexus of involvement with the projection of sight and sound as they build upon core elements which in their associative, generative and recombinative characters stress poiesis to...
Topics: Drrawing ARchive Edwin VanGorder, Art and Rhetoric, Drawing and Visual -Verbal Rhetoric,...
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Aug 10, 2017 Edwin VanGorder
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These are notes on an alogon art or meta levels in virtual drawing for approaching the status of receptive shaping of the field within a materialization gesture.   The effort divides over titled pieces which work word and gravure towards a poiesis of agency, other works in which states of the work from shifting vantage have the quietude of a kind of flight space, and a broad matrix third category of topological nuances.
Topics: Drawing and Rhetoric, Drawing and psychology of perception, Drawing and philosophy, virtual art and...
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Jul 31, 2017 Edwin VanGorder
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  Visual Libretto of Wave Column Sprezzura Drawing on… Albertine and Kilroy:     (Ie. -)->Fluid Mechanics and Flux Machinae that the space of vision personified to Albertine Window( Bal proposes Albertine a set of conditions, spaces)(-)-> On the strength of that proposal the supporting matrix of   Ad’s Portend of a JungMondawla becomes withal a protable prayer according to this series, concerning the meta levels of sheer torsion taken to visual language of correspondingly verbal...
Topics: Contemporary Virtual Drawing, Cyber Drawing, Art and psychology of perception, Art and philosophy,...
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Jul 31, 2017 Edwin VanGorder
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The   “capriccio” as an inroad to verbal visual rhetoric can be analyzed:   re or in regard to fashioned to meet ioci or jokes in relation loci communes or style, and oiktos as style to give the neologism   : relocciocioiktos…. I would describe my work as graphos relociocioiktos… the humors of a generalized irony on the one hand but on the other is the point that art is more than the subconscious because of its sense of “movere” and exigency of the pathos which supplants...
Topics: Virtual Drawing, Psychology of Art Perception, Art and Rhetoric, Contemporary Drawing, Edwin...
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Jul 11, 2017 Edwin VanGorder
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Drawing Occupatio-Tract The interest in the drawing dianetics -morphology-semiotics realizes towards the constructive rhetoric by which the   process is mapped onto the image in way which returns to the language levels by which trope turns   focus from manifold to agency via within drawing premise a haptic connectiveness.
Topics: Drawing Research, Drawing dianetics, Drawing Contemporary, Cyber drawing, Drawing semitiotics,...
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Jun 23, 2017 Edwin VanGorder
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THe book is reflectant of material orders recognised to virtuality as a matrix of language association within a semiotic recognising rythm to structures like those between print and drawing mode. The investigation of a core in flux and a sense of language etchants devolved to a morphology is a question into the nature of flux as a drawing denomination of acquired deterritorializations relating morphogenic impulse.
Topics: drawing, cyber drawing, computer drawing, art and psychology, art and language, drawing dianetics,...
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Jun 5, 2017 Edwin VanGorder
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The book takes the metaphor of three bridges /Saints to link morphology in memory and language to bridge a space made situational to distances between land masses, language epochs and art movements
Topics: Drawing arts, Drawing and Psychology of Percption, Drawing and Rhetoric, Art and language, Art and...
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May 30, 2017 Edwin VanGorder
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Study of printform to video emoto-matrix in drawing dianetics and information architecture etchants.
Topics: Art and Language as Drawing, rhetoric and drawing, Art and Philosophy, Philosoph and Rhetoric of...
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May 21, 2017 Edwin VanGorder
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Enfolding of drawng space as emblematic of figure ground as a continuity under consideration in the the scratch to sculpture matrix of evolving form and semiotic moods and lacunae.
Topics: Cyber drawing research, Drawing Dianetics, Drawing Philosophy, Drawing and rhetoric, Pscyology of...
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May 12, 2017 Edwin VanGorder
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Squirre-snail- labyrinth   This project relates spatial layering as a canon   of lemmas or modes of construct via   drawing striations of material reference within skews of   sequencing. The prototypical “skrr” or PIE referent to material distance from the plane and writing as a gravure brings a print form reference to the cyber drawing which leads rather than follows the drawing, or more properly- the drawing is the same, and this simultaneousness is linked to a sense of origin in the...
Topics: computer art, cyber drawing, contemporary drawing, Edwin VanGorder Creater, psychology of...
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May 4, 2017 Edwin VanGorder
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These Drawings are a series meant to dwarf the Baroque fold by finding in the transparency of drawing motion a gathering in of the hues of the world through the friction of those consititive rythms that Occupational Therapy identifies to “crossing midline” or in drawing terms the generative moment of motion crossing its field to find the rhythm of interpolation and interpellation that bonds the alloiss by which relationships stand to trope. These rhythms are compositional to the field while...
Topics: Contemporay Cyber Drawing, Art and Rhetoric, Visual Rhetoric, Drawing and Psychology, Drawing and...
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Apr 15, 2017 Edwin VanGorder
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Drawing enters language through a principle of co-herence linked to intertextual modes I explore through semiotic screens of real time punning linked broadly to The Glass.
Topics: Drawing and Visual Rhetoric, Art and Philosophy, psychology and perception, Edwin VanGorder creator...
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Apr 5, 2017 Edwin VanGorder
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This thesis concerns the relation of semiotic sreens within drawing, seeing the world through language in terms off drawing as relating to the cohesiveness of making, mood, and mode integrating parts and wholes as between the intertextual relation to paradigms, the semiotic reading that occurs within the artist's act of making and the moods or intense variety of strata and material to mind mapping that relate to the canonical explication of time within marking system and discovery. The idea of...
Topics: Structural Rhetorics of Art, Psychology of Perception, Philosophy of Aesthetics, Drawing,...
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Feb 27, 2017 Edwin VanGorder
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  The Semiotic Screens (world seen through language) book I made as a collapsible archive form introducing my archive was ok but needs representative screens at outset to clarify issues at stake… The drawing here introduces the   Sliding Glass series, in which two lists, and two images relate the idea of syllogism, allegory, and intertextual art in a compound narrative. The left hand image is in a hatch system of very oblique lines with diverting marks the net recalls, the oblique angle has...
Topics: Drawing, Computer Drawing, Art and Rhetoric, Art And Drawing Structuralism, Psychology of...
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Feb 21, 2017 Edwin VanGorder
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  The constructive condidtionality art maintains and wards within the the domain of language which it represents as “art and language” is afferent and efferent to paradigms and models of reference which are created and altered in a discourse made discursive to a canonical threading of the whole in which exists primary to warding as then also forwarding, and afterwording   the very idea of making. This   is for example vividly apparent in Sanskrit, in which at least 300 different words...
Topics: Computer Art and Language, Art and Language, Drawing and Rhetoric, Contemporary Drawing, Visual...
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Feb 12, 2017 Edwin VanGorder
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This project entails a personal aesthetic qualified to mean towards a n “Adumbration Aesthetic” to forshadow or trace, in a proleptic time : Computer Art and Language  
Topics: Computer Drawing, Contemporary Drawing, VanGorder Drawings, Art and Rhetorice, Psychology of...
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Feb 8, 2017 Edwin VanGorder
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  Archive Notes : these are internalized allegories generated for the “capitation”’ or on going integration of an archive building experience in which the gathering themes reflect a morphologic and recursive compound. A glass skull motif in relation to a a labyrinth, intertextual glimmers to Sun Tunnels and Glass and a topos top that kicks entropy aside are the witnesses and sigla compounding and splintering the synechdoche, brachelogy and chiasmus of cross indexing a fluid matrix.
Topics: Art and Psychology of Perception, Art and Philosophy, Drawing Philosophy, contemporary drawing,...
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Feb 3, 2017 Edwin VanGorder
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In this set of drawing I resolve a thematic comparing and contrasting the incidence of mood and mode as operendi of culturization which in the Sanskrit prototype arrange of some 300 words for drawing a collective consciousness in which rest the moods of a drawing sensibility as the verb expression . (and the verb after all is a mood, Chinese for example accomplishes connections with out verbs) Yet the Wester cultural apparatus grows very much out of the Greek built on Sanskrit particularly the...
Topics: Cyber Drawing, Psychology of Perception in Art and Rhetoric, Computer Art, Computer Drawing,...
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Jan 28, 2017 Edwin VanGorder
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The focus of the book is on the variety drawing brings to the consideration of language as itself a drawing mood in relation to the graphos mode. In particular I consider the origins of Sanskrit and its large number of words for drawing which inform in turn the Greek language, the   world interest of the PreSocratics, and the subsequent retaining within philosophic, psychological and physics domains of rhetoric or the conditioning between mind and semiotics as presenting experience within...
Topics: Drawing, cyber drawing, computer drawing, Art and Language, Art and Rhetoric, Psychology of...
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Jan 10, 2017 Edwin VanGorder
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Sliding Glass: In this project I associate the flux of drawing with the transparency of glass which the computer drawing mode resembles, while also integrating the meta levels of experience between such   moods and modes of extended reference( to drawing within drawing itself.). To simplify the task I reference the paradigm “Glass” of Duchamp as a philosophical domain in which are borrowed on his part an allegorical function of the poetics of Heraclitus per the parsing of Pyros through...
Topics: Cyber Drawing, Art and Psychology of Perception, Art and Rhetoric, Art and Topology, Art and...
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Dec 19, 2016 Edwin VanGorder
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A global mapping motif often figures in my work as a reference to the plasticity,cortical integration of art, and language implicated through marks and morphemes alike by which sense is made via transposals within the same means: in this project I have taken glass itself as such a lense, into diverse cultures of the world by simply taking their individual words for glass as a prompt to look into the culture. Out   of these emerge various connections, for example Taiwan and Switzerland and...
Topics: Art and Psychology of Perception, cyber drawing, contemporary drawing, drawing and Philosophy, Art...
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Dec 11, 2016 Edwin VanGorder
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Introduction: The first so pages of this book are a visual matrix of drawing through a compression sensation of drawing in the virtual dimension out which the sense of throwness is then given mid book a specific written narrative mapped into the work on the theme of the visual rhetoric of associative values within the process of projecting form and scale.This  assembles an allegory around its own motions and salient while also taking "push and pull" to originary rhetorics inthe...
Topics: Contemporary Cyber Drawing, Contemporary Drawing VanGorder Drawings, VanGorder Creator, Psychology...
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Oct 29, 2016 Edwin VanGorder
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Patterning which we think of as continuity is actually reflective, and in this capacity is in a sense a disruption of narrative by the arrival of that mirroring or introspection. In this project I link rhythm as we find it available to language as rhetorical structure or strophe, the patterning of words to introduce meaning in a poetic way. For example there is antimetabole or simple word inversion: beautiful house, house beautiful,   or then again anaphora in which the repetetition of a word...
Topics: psychology of perception, art and rhetoric, art of drawing, drawing, cyber drawing computer...
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Sep 18, 2016 Edwin VanGorder
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In the first set of drawings I relate the rhetorical lense by which a referent in language directs , or rather allows a metonymy out of which a sense of movement is considered as a condition out of which the referent becomes an interpertent, referent itself being a word relating rhea or flux to feral or nature with a feeling in mood and mod e then for afferent and efferent condition. The rhetorical lenses I had paired with its origins in Greek kinds of thinking as parsed in variety or...
Topics: Art of Drawing, Contemporary cyber Drawing, contemporary Drawing, Edwin VanGorder Drawings,...
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Aug 21, 2016 Edwin VanGorder
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These works take the idea of architexts, specifically Finnegans Wake, in terms of a transhistorical consciusness, San Marco as frescoed by Angelico per monks daily living and a cloister sensibility, finally the Lawrentian Library in which the Mannerist paradigns of inversion dwell, towards these structure I create a parallel drawing space in virtual mode by which the idea of projection to surfaces is within the hyper realm of meta reference.
Topics: Virtual Drawings, Computer Art, Contemporary Drawng, Artist virtual Drawing, Hyper Drawing, Edwing...
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Aug 19, 2016 Edwin VanGorder
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he flare up of phenomenon are a "haptetai" or touching upon- kindling- creating of perception which n the case of drawing looks to show art itself as cultural research in the sense of creating those ituations that are the naturalness of human nature contemplating the artifice mediated thereby hrough art between poetics as that staging to comparisons and contrasts and poesis as the fluidity of he morphogenic characterizations through topologies in their becoming as an endless...
Topics: Edwin VanGorder Drawings, Contemporary Cyber Drawing, Cyber Drawing, Virtual Art, Psychology of...
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Aug 17, 2016 Edwin VanGorder
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These are the project headings and 105 books which will be integrated in a future article relating the themes of interpolation and interpellation as formative to trace and rhizome, while considering an association to rebus as a rhetorical tool for relating an East West historical cognition axis of genuine psychological sublation or afferent and efferent energies of concept formation, poetics and poiesis… leading to a relation of the end and ends of history via personal relation to creativity...
Topics: Drawing and Rhetoric, Drawing and Philsophy, Drawing and Psychology of Perception, Hyper Drawing,...
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Aug 11, 2016 Edwin VanGorder
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This books relates the history of   drawing art in process to that of post history, the sense of the ends and end of history as mirrors and shadow of a tension between the conditions of experience and the generative content which in arriving to be seen exhibits artifacts and trace elements of something itself beyond conditionality.
Topics: Virtual Drawing, Contemporary Drawing, Art and Pschology, Rheotoric and Art, Philosophy and Art,...
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Aug 2, 2016 Edwin VanGorder
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Abstract: Towards expanding to poetics of the PreSocratic   chords to   broader culturization by redefining the category as PreDuchampian: This raft of drawing is a personal assimilation of the East West Axis by which a topesthesia I construct generated by the experience of an exhibition of Forbidden City works is focci of deconstruction towards the Ottoman empire Asiatic transmission of PreSocratic formative interactivity arriving to Venice, and the contrasting route between those Magi and...
Topics: Art Drawing, Cyber Drawing, Contemporary cyer drawing, Arth and psychology, art and philosophy
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Jun 23, 2016 Edwin VanGorder
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My drawing mode are cognates of Asian carpentry given over to a wheel like abstraction and as the work progresses many overlays to this process are distributed over a grid matrix which itself begins to fold and become a matrix, as does the figure, I hold open, in one   frequent process argument, areas to a holding zone, like drawing with a flashlight, think of a “text box”, and in this holding pattern then may substitute all manner of arguments which make of the matrix this masking...
Topics: Cyber Drawing, Virtuality and Drawing, Psychology and Perception, Art and Philsosoph, Art and...
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May 31, 2016 Edwin VanGorder
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Summary: This book maps ongoing projects sharing the theme of building a sculptural impulse in drawing into the architecture of the virtual realm. A sensibility towards realizing this coining of trope towards origins in the international scope of culture combined with a generalizing view of knowledge stemming from the PreSocratics is related to Eastern culture in the specific text of the Story of the Stone in which the fabric of society is   mapped on to a sense of fabric that becomes a trope...
Topics: Aesthetics and Drawing, Art and Psychology, Structural Rhetorics of Art. Art and Philosophy
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May 16, 2016 Edwin VanGorder
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This Drawing conflates various systems: in general it is a kind of geo mapping of its own globality using those meridian shapes which also become quote as a “gloss” From this sense of gloss a materiality from within virtual resources which are like a modelling in clay such as a carving form of drawing may imitate as one trope within another is also engendered. The sense of a video monitor or screen picks up on the idea of states, and an engraving function relates states to the idea of...
Topics: Cyber Drawing, Art of Drawing, Drawing Aestheticis
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May 7, 2016 Edwin VanGorder
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The gradients of knowledge association with Greek channeling of energy into hermeneutics of rhetoric is taken into the drawing dimension of virtuality in art and the question of what is virtue- virtuality...
Topics: Drawing, Contemporary Drawing, Edwin VanGorder Drawing
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Apr 26, 2016 Edwin VanGorder
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Meta/Virtual Mythos: This project follows up on previous subjects which responded to a sense of emerging subject matter developing from a sense of projection patterned on the example of Institutional Critique in which for example an object normally outside a museum is placed within, in this case I   had turned to the example of video which has certain expectations when received in a museum space, as opposed to the vernacular realms, of   which Identified as on their own crossing into art...
Topics: Contemporary Drawing, Digital Drawing, Electronic Arts, Psychology of Perception, Art and Philosophy
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Apr 18, 2016 Edwin S VanGorder
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Follow up on double hermeneutic or Institutional Critique initiated between ides of trace and rhizome at Institutional levels of Rhizome and Drawing Research Network (funded by Tracy) : now the focus towards philosophic bracket and software argument : Mediterranean Journal of Philosoph and International Society for Electronic Arts.
Topics: Drawing, Contemporary Drawing, Digital Drawing, Visual Verbal Rhetoric, Psychology of Perception,...
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Apr 6, 2016 Edwin VanGorder
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The book is comparing the morphological sense of development by which the drawing hand associates events in time and process traditionally, with the altered sense in which time is skewed by its own process and has a sense of inversion .  
Topics: Drawing, cyber Drawing, VanGorder Drawing, Contemporary Drawing, Art and Psychology, Psychology and...
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Mar 21, 2016 Edwin VanGorder
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The subtitle of this project indicates a relation between the Greek “ousis “ or being and Rhea (flux) compounded within the word Renaissance. I personalize this observation through a relation to our prehistory, the drawings and speech before paper which resonate through the morphemes by which time has stamped the poetics of sound in our speech, and in the sculpture and architectural records and other material art forms which carry the constructive gradients of human marking in conjunction...
Topics: Cyber Drawing, Contemporary Drawing, Art and Philosophy, Visual Rheoric
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Feb 23, 2016 Edwin VanGorder
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  Institutional Critique can be seen as transferrable from the brick and mortar world to the institutions within language of process by which rather than function following form it can be seen that function is already form and form as art are the structures of imagination, rhetoric in its positive sense of configuration of art within art.  
Topics: Cyber Drawing Institutional Critique, Contemporary Drawing, VanGorder Drawings, Drawing and...
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Feb 6, 2016 Edwin VanGorder
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Concept is a a word which actually already means “draft” or abstract therefore relates to drawing and   the draftsman: the idea of taking in on the one hand, yet again a relation to language of which “guage” means pledge as in to throw down a glove, a flower, a vote, and thus the sublation of Hegel ( motion towards and away an ego object or Kantian Conditionality   by which both philsospher references the idea of (Hypsos and Karos : space of appreciation towards autonomy and a...
Topics: Drawing and Semiotics, VanGorder Drawing, Contemporary Drawing, Cyber Drawing, Computer Art,...
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Jan 28, 2016 Edwin VanGorder
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The rhetorical dimension of drawing as a visual verbal rhebus is troped to a series in which virtuality of drawing in hyer space in relation to meta levels of association within language are the insittutional motifs within language rather than brick and mortor that bridge structural rhetorics and the denominations of emergent thinking by which art is recognised as a primary conceptual basis away from the contextual overkill of conceptual art.
Topics: art of drawin, art and semioitcs, psychology of art and perception, art and philosophy,...
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Jan 24, 2016 Edwin VanGorder
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Rhebus & Drawing Magus Module The theme is the evolution between magic and philosophy suggested as mapped   in the g-gnome project as indicating the travels over the landmasses of our ancestors between Zarathrustran space, Africa, Egypt-Persia,-The PrSscocratics and incidence of these to Aestheticism from Hegel and Kant mapped to the histories of rhetoric which are those of psychologized philosophy and so in drawing space what to make of what is not a then and now proposition entirely, but...
Topics: Drawing and Pschology, cCmporary drawing, VanGorder Drawings, Art and Philsosophy, Drawing as...
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Jan 11, 2016 Edwin VanGorder
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∏       Thematic   ∑    To establish   the conditions of experience within a morphology of subjective analysis topological to poetics and stylistic layering of   such denominations towards tropes of material and conceptual agency and   art agenda of cultural morphogenesis within aestheticism meaning art for the sake of art, knowledge for the sake of knowledge and drawing for the sake of drawing as mediation. ∑    This then is mean to displace the commerce of art towards a...
Topics: Res Drawing Lex, Cyber Art, Computer Drawing, Contemporary Drawing In Media, Virtual Drawing,...
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Dec 29, 2015 Edwin VanGorder
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Pattern Book Pattern figures as one of the primary psychological principles , and in my art the conceptual relation between the drawing Block and resulting pattern are   within a canonical series. The forms originate in Archaic Asian carpentry forms which I re- interpret as abstract arcs   configuring   the cyber space potential to recognize virtuality to pattern “along the lines of usage”.
Topic: Pattern forms and Drawing
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Dec 29, 2015 Edwin VanGorder
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  Movement   as Material to Pictorial Concept Space : Anabolic and Catabolic Drawing is arbitrarily associated with anything, and from the surfaces of these disciplines   can project   its own pictorial monumentalism   which the discipline serves to recover to art in its connection to diverse underlying poetics involving tropes of curvature in space to quarry and excavate a sense of sculpturotectural form bending computer space yet touching on a kind of geomapping.. Accordingly , one  ...
Topics: Drawing and Post Modernism Contemporary Drawing, Drawing Condtionality, Drawing Semiotics Drawing...
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Dec 25, 2015 Edwin VanGorder
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Here the trajectories of experiental throwness within virtual space are considered the conditions of line as a compression of cultural topos or sites of language   to a band width which at the remove for example   of enlarging focus may   become experiential to a state of archive as well within the building up of context between the tableau and environment of the software argument and philosophic bracket by which a vision built on such interdisciplinary throwness ( psychic immediacy and...
Topics: Drawing In Media, Contemporary Drawing, Drawing and Cognition, Drawing and Philosophy, Art and...
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Dec 23, 2015 Edwin VanGorder
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Balducino Brella (Umbrella in the Quarry) This umbre;;a series references the Balducino or connective area sculpted by Bernini to bridge sections of ST.Peters, a huge carved canopy as a trope on the popes protected carriage as a kind of travelling portico… Bacons pope paintings with umbrella were likewise using the reference although with a different tilt… The drawing also use a kind of imitation pasted paper motif , in which the interlocking sections reference the general idea of...
Topic: Contemporary Drawing In Media Art and Discourse
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Dec 22, 2015 Edwin VanGorder
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The self reference drawing makes to movement as constructing consciousness becomes the moment of relating what drawing is as a transdisciplinary constructive rhetoric relating genesis and potential.
Topic: Contemporary Drawing In Media
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Dec 14, 2015 Edwin VanGorder
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Art and Language addendum So I have to contact Lisson about that… diverting the entropy of art to its metonymic structures in drawing in which interdisciplinary thinking is the philosophic bracket of cross species evolution.   The trace and rhizome of thinking through the morphological counter reifications adaptive to morphogenesis can be met in the osmotic fields of the cinematic knot, the video slice of that knot, and space no space interpolation and interpolation as elisions into the all...
Topics: Cyber Drawing Computer Art, Contemporary Drawing, VanGorder Drawing, Art Semiotics, Art and...
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Dec 4, 2015 Edwin VanGorder
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ypokomeinon or layered structures of logic relate efforts in cyber drawing to transcend the photo montage exteriority by taking the Greek “Tuche” of “technical” at its original value of “touching upon” at the denominations availably syllepsis, syllogism, and chiasmus as those cross idexings surviving to a material avatar as witness, so to speak… that is :   the proposed materiality   within the drawing generally and cyber motion sensor drawing particularly is a thought...
Topics: computer drawing, cyber art, cyber drawing, Vangorder Drawing, Computer Drawing, computer art,...
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Nov 11, 2015 Edwin VanGorder
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What interests me in this project then is to take various centers in my own work and relate them to other centers such as varous sites on the exact center of such and such a country, Also various interest Centers such as   Center for Recent Drawing, or the Museum of Computer Art, or Rhizome… etc Centers in my own work include my blog in www.drawingontrope.com , archive .org compendium of texts, videos on utube, articles published in the Drawing Research Network, my   Rhizome blogs, the...
Topics: Cyber Drawing, Drawing and Art, Art of Drawing, Art and Philosophy, Drawing and Language, Language...
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Nov 10, 2015 Edwin VanGorder
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The Art Neologism Strange Loop here is that of “Chiaroscuro” interpreted to carry the information of the sound morpheme “skrr” towards the topologies from scratch to sculpture and of XHX or the origin of “H” morphogenic to “hue” : in Greek; origins of both morphemes   are adaptions into alphabet from Persian-Assyrian sources the latter osmotic to “Aurora, -dawn, or roar of the crowd that is the topologies of the bow and the lyre in which sight and sound are stain and echo of...
Topics: Cyber Drawing, Computer Art, Computer Drawing, Contemporary Drawing, Art and Philosophy, Art and...
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Oct 31, 2015 Edwin VanGorder
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A snow crystal and an antigen are alike rather crystalline readings of structural matrix… the first is an open system, the machine as it were that makes the flake is in atmospheric conditions that in the very making alter the machine- no pattern is possible, whereas the antigen is a closed system meaning patterned- it does read something that reproduces… a laser beam there fore is the intersection of open and closed crystaline systems in which the self altering condenses, the condensation...
Topics: Drawing, Contemporary Drawing, Computer Art, Motion Sensor Drawing, Art and Psychology, Philosophy...
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Oct 26, 2015 Edwin VanGorder
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…And Stranger Loops : Douglas Hoffstaedter of   Goedel Escher Bach an Eternal Golden Braid created among his canonical references to self reference a “crab canon”which I believe references “The Crab Flower Club” of The Chinese Classic The Story of the Stone: theme of which is fiction becomes truth and truth becomes fiction and in the context of the latter author creating multiple authors within his text who compose poetry very unique to their” personalities”….Hoffstaedter...
Topics: Drawing, VanGorder Drawing, Trace and Rhizome, Psychology and Perception, Art and Semiotics,...
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Oct 19, 2015 Edwin VanGorder
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Tracy;- Rhizome; and Dia Foundations If one considers a philosophical position (argument) in relation to a software virtuality as comparable   paradigms with or without Ghost in the Machine(philosophic bracket) and reflect through (“dia”) there then emerges to this dialogue or trialogue the rogue “art and language as thinking therein by which interpolation and interpellation parse not spell the rhetorical dimension of which ethos pathos and dialectic turn discourse as reflection and...
Topics: Computer Drawing, VanGorder Drawing, Motions Sensor Drawing, Art of Drawing, Art and Philosophy,...
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Oct 15, 2015 Edwin VanGorder
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This structure is a start up file for relating categories of Cyber drawing moods: exploding of fields and texts, Labyrinths and sections, Text Mapping, art etymologies , Simples and Patterns, Drawing as interference patterns through Photo “writing”, Underwriting, Overwriting, Rhetorics of Neo Discourse,Geo Mapping, Morphemes and integration patterns.
Topics: Cyber Drawing, Drawing, Art And Philosophy, Psychology and Perception, Contemporary Drawing,...
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Oct 11, 2015 Edwin VanGorder
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  notes   fashioned around my perception That Tod Cronan’s   idea that while semiotics as an understanding of phenomena from within the very reading as subject is true enough it is not sufficient for his need to verify effective judgements, that the   thesis antithesis then is opposition fashioned against what is said to be affective or merely compelling arguments too mechanical to be said to elect cognitive immersion to a fair extent of representing humanity. My antithesis to his is that...
Topics: Art, Art and Drawing, Computer art, Information Architecture, Art Ontololgy, Art and Philosoph,...
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Oct 1, 2015 Edwin VanGorder
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Travel Stains: The Landbridge as Philosopher’s Stone Across   Cyber Sleeve. The art gesture of drawing with a flashlight carries over into   my work at the meta level of motion sensor drawing res. The virtuality of cyber drawing. In that mode I here approach the mood of a project in which I am interested in the DNA mapping (23 and Me) of the Ggnome project which identifies ones code all the way to the stone age, and gives the territory and continents of the travel then of ones ancestors in...
Topics: Psychology of perception, Contemporary Drawing, Art and Drawing, Drawing and Criticism, Art Theory,...
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Sep 24, 2015 Edwin VanGorder
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Language is an art object in and of itself, three dimensional via projection conditioned by the internal valences of transference and in the virtual media of cyber drawing this journal touch on the Raft of the Medusa as a raster of drawings looking here in mediating ousia ( Greek ontological essence­ virtuality ) ... i.e. scrolling conflux to a torus.
Topics: art and semiotics, Cyber Drawing, Computer Art, Contemporary Art, Art an Philosophy, Art Psychology...
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Sep 17, 2015 Edwin VanGorder
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Semeiotic values of art issues through information architecture of art issues of identity usage and being within projections and compression of aura ,array, zone via drawing syllepsis.
Topics: Art and Information Architecture, Art and Philosophy, psychology and Art Perception, Contemporary...
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Sep 14, 2015 Edwin VanGorder
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I-mediate: Artist’s Post Statement Hegel: Sublation, smaller structure contained within one that subsumes it, synthesizes it. Incomplete destruction in which is partially maintained the mirroring within of the antithetical. Horismus, definition, anti thetical by negation, litotes the negation of the negation. Apakoinu construction lexical diversion within term divides over members of a clause or pair of clauses. Means to pick up, as in to keep, or then again to use, as antithesis or antinony...
Topics: cyber Drawing, Contemporary Drawing, Art and Philosophy, Psychology and Perception, Semeiotics of...
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Sep 13, 2015 Edwin VanGorder
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I-mediate: Artist’s Post Statement Hegel: Sublation, smaller structure contained within one that subsumes it, synthesizes it. Incomplete destruction in which is partially maintained the mirroring within of the antithetical. Horismus, definition, anti thetical by negation, litotes the negation of the negation. Apakoinu construction lexical diversion within term divides over members of a clause or pair of clauses. Means to pick up, as in to keep, or then again to use, as antithesis or antinony...
Topics: Cyber Drawing, VanGorder Drawing, Art and PHilosophy, Drawing and Philosophy, Psychology and...
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Sep 6, 2015 Edwin VanGorder
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The following show the general ideas for a project for C4Rd who are interested in projects relating movement and drawing. For me this begins with realizing the complexity behind Pollock's observation on his art being nature: in that the semiotic condition of realizing nature is both signifier and signified within the patterning structure by which we read, but also construct our experience including nature.   In cyber drawing, the virtual realm gives an automatic metaphysics to a world that...
Topics: Computer Art, Cyber Drawing, Motion Sensor Drawwing, Contemporary Drawing, VanGorder Drawing, Art...
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Sep 5, 2015 Edwin VanGorder
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1.     In my work the semiotic value is developed of the reading through the cyber loop, I will use for example a backgrounding of apparently Bauhaus like elements which in the new mode have a different planar reading, as those planes curve,. The edges of my recorded sheets have the information of perforations and through the cyber field they curve with the scroll, and give a kind of “text mapping” through the torus.
Topics: cyber drawing, computerart, art and philosophy, pychology and perception, art semeiotics, VanGorder...
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Sep 5, 2015 Edwin VanGorder
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1.     Naturalness… provides a kind of precondition for proposing topology: the consideration of common denominators as morphological arrows 2.     Topological thinking in a morphological world: Pollocks question as to whether his own process was not in of itself nature is a very complicated proposition: it is the creativity of human beings within their approach as language animals which provides their very concept of nature, creativity is, as Heraclitus essentially provides, what is...
Topics: Motion Sensor Drawing, Cyber Drawing, Computer Art, Art and Philosophy, Psychology and Parception,...
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Aug 31, 2015 Edwin VanGorder
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Chess not Chess   references Matisse, and the River, painting in which he relates towards the contests for the standard between Michelangelo and   Davinci, and in regards to Matisse the idea that pattern has the semiotic value of both signified and signifier. Within this matrix of which likewise Gericault Medusa appears to me the strawman for Caravaggio, in Bals writing, for in that composition the sails of the Medusa invert, as in Deleuzes also quoted topology of morphological arrows....
Topics: Cyber Drawing, VanGorder Drawing, Contemporary Drawing, Art And Philoso, Philosophy and Perception,...
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Aug 28, 2015 Edwin VanGorder
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Times Other Intercept of Explosion, Intercept and No-Space In this journal the material spectrum accruing to virtuality in which   the meta levels diegetic of   generativity, immersion and interaction projections of configurative faculty incipient to rhetorics as ethos pathos and dialectic place a corresponding level   to   the nomadic modad. Ironically   The general sense is similar to a Paleolithic Venus , a therebeing of sensation embedded to the haptic which also plays with a transpose...
Topics: Cyber Drawing, Motion Sensor Drawing, VanGorder Creator, Psychology and Perception, Philosophy and...
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Aug 22, 2015 Edwin VanGorder
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The approach I have developed towards creating a dual Institutional Critique between the concepts of trace and rhizome as characterized by the Tracy Organization= Drawing Research Network, and the New School “ Rhizome” organization are likewise a study in the motion towards and away a subject in the act of creating it. The following works are predicated on an interest in patterns, as the semiotic input of concept formation available to meta levels which I explore in various ways....
Topics: Contemporary drawining, Art and Drawing, Drawing and Philosopy, Psychology and Perception, Motion...
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Aug 16, 2015 Edwin VanGorder
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DRN IB Tauris Book Publishing project –proposal Proem: Book- Motion Sensor Drawing Somatic and Semiotic : Drawing as Structuralism in Contemporary Media The need which emerges in the revised semiotic to somatic reading of phenomenology within the discourse of new and interdisciplinary knowledge systems is to recognize the relation towards categories,indices and their deterritorializations . Towards this the content of drawing which recognizes movement in mind and matter is my forum for...
Topics: Cyber Drawing, Art and Language, Art and Philosophy, Psychology and Perception, Contemporary...
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Aug 9, 2015 Edwin VanGorder
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Virtuality pertains to usage made of a given process i.e. "agency" in it's morphogenic dimensions wile semeiotics are the reading process of the phenomenal distinctions of natural and artificial ideas, natural ideas being topics of interest taken into disciplines such as psychology and philosophy while artificial ideas stress the creative tangents. The early computer artists fashioned a labyrinth of these associations, for example Lillian Schwartz relating to the analysis of the...
Topics: Art and Philsosophy, Art and Drawing, Contemporary Drawing, VanGorder Drawing, Cyber Drawing,...
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Aug 5, 2015 Edwin VanGorder
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The semiotic and somatic embedding available to motion sensor drawing creates the conditions of phenomenological dialectic here through the reference to motion towards and away from a subject which in turn constitute that subject as experience.
Topics: art and language, Cyber Drawing, Contemporary Drawing, Art and Philosoph, Psychology and...
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Jul 28, 2015 Edwin VanGorder
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M->Orphic Journal vol 1 Artistic proof as cortical integration of the semiotic environment made visible through the computer art environs of thought experiment are proof not of   or between premise to conjecture but rather that virtuality in and of itself mediating as it were phenonmenon, nouomenon and noema as morphogenic to principle. With Aristotle the premise that ther e should be principle in essence actual the realm of the thing done Latin agere which parses “act” (auguer-augur...
Topics: Cyber Drawing, Contemporary Drawing, Art and Philosophy, Psychology of Percepton, VanGorderDrawing
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Jul 22, 2015 Edwin VanGorder
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Journal/Rhizome Sept…. In this journal the relation of mental schemae to virtuality are posed in the cover drawing as an inverse of the particle accelerator:now an accelerator particle- cyber   drawing   mark itself in the motion sensor medium which borrow the realm of thought experiment where science and technology cannot perform to match the macro and micro scale in terms of physical experiment but must use   such experiment which connects mental machinae to technology, tuche as the root...
Topics: cyber drawing, contemporary drawing, art and Philosophy, Pschology of perception, motion sensor...
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Jul 18, 2015 Edwin VanGorder
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The semiotic structure of the scholars site as an art of archiving is explored in this volume. The scholars, Bal, Cronan and Wong are selected towards their own approach to art as performative, immersive and interactive with a response of my own art.
Topics: Art and Philosophy, Pschology and Perception Contemporary Drawng, Cyber Drawing, VanGorder Drawings
Zines
Jul 15, 2015 Edwin VanGorder
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http://www.blurb.com/pdf_book/919506/download?expires=1437141224&signature=9fc4e184eff3de40The idea to develop for next Rhizome M->Orphic   Journal   is a “transference”   of the Rhizome-Trace ( Tracey-Drawing Research network)   inter Institutional Critique- towards the Archilovers zine space which I like to build in. The   Structure created towards that space has to do with using the inner fold of the virtual sketchbook I indicate as having a kind of columnar quality I can...
Topics: Philosophy and art, Pschology of Perception, Drawing Arts, Contemporary Drawing, VanGorder Drawing,...
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Jul 8, 2015 Edwin VanGorder
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This journal takes the scratch to sculpture virtual materiality of the cyber loop of motion sensor drawing through the gradients of variations formative to thematic variations in which an aura of generative and immersive radiance and osmotic consciousness are the transference of the nominal somatic sense to the semiotic embedding within the phenomenogically discursive modes and moods of cultural association and dissasociation of the elasticity of logic and globalism or plasticity of form itself...
Topics: Cyber drawing, motion sensor drawing, Art and philosophy, psychology, drawing, and perception,...
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Jun 29, 2015 Edwin VanGorder
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The structure of a mental Machinae in terms of art reflexivity or reference traced and cortically integrated within created experience as the chords threads and strings ofvirtuality direct a morphogenic character away from mere oscilation between subjective and objective content . The moods and modes of this machinae are explicitly within drawing as movement indicating thereby the seperation form ideas of indices couched within the thematic of deixis or contextualization as a concept over...
Topics: Cyber Drawing, Virtual Art, Art and Philosophy, Psychology and Perception, Aureation, Contemporary...
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Jun 29, 2015 Edwin VanGorder
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These are notes looking into the siting of the phenomenal to the nominal and semiotic discourse of the limmable and sublime, and deixis and indices revised to a deeper consideration of that source in which the construction of experience in the present is not any more transparent than is the present experience of all consideration.
Topics: cyber drawing, art and philosophy, psychology and perception, art and media, Contemporary drawing,...
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Jun 21, 2015 Edwin VanGorder
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Summary In this journal I am taking the natural and artificial orders of art and virtuality as psychological colloids mapped to visual and movement morphemes of my own particular ordering process. The “strange loops” of the early consideration of artificial intelligence per Goedel Escher Bach, and the implications of Finnegan’s Wake inform my sense of the correlative dimensions of the motion sensor drawing to analytical functions as open potentials of the poiesis behind poetics. As a...
Topics: cyber drawing, contemporary drawing, VanGorder Drawings, Psychology and Perception of Drawing,...
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Jun 10, 2015 Edwin VanGorder
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A topology of morphic arrows in a torus form give a preliminary view to what becomes a labyrinthine archive of the motion sensor drawing. "Rubbings" of the labyrinth which touch on the famous "dust raising" and cubist mask bring the chromatic scale into a valence. Fially the series is reflective towards a pattern block incidence in which the drawing motion as particular to marking envelopes new vectors of contingency
Topics: Cyber Drawing, VanGorder Drawing, Computer Drawing, Contemporary drawing, Motion sensor Drawing,...
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Jun 10, 2015 Edwin VanGorder
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The morphogic character of motion sensor drawing as distinct from biomorphic or anamorphic content are moods modulated by a labyrithine composition within time. The over view has the cast of a morphological arrow granted torus like form, taken then to the view of a labyrinthine archive, in turn touching on reference to rubbings taken of a labyrinth, a a sucession into the chain of signifiers.
Topics: Drawing, VanGorder drawings, contemporary drawing, drawing and philsophy, art and psychology
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Jun 5, 2015 Edwin VanGorder
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Scrap 9 syllepsis- touching upon fate behind the scenes- abbraciari: grasp, comprehend limit… I suppose answering an answer as good or bad as answering a question with a question: Between lim ( limit) limming->drawing->motions sensor drawing//: what would be an appropriate limerick?....art etymologies, Cubist masks of cyber space (Boolian sets) how can one find the ghost guilty or innocent within the Pas de deux mental machinae? What are the architectures of architext linking local...
Topics: cyber drawing, VanGorder drawings, art and philososphy, contemporary drawing, psychology of...
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Jun 1, 2015 Edwin VanGorder
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The sense of the limable that occur to drawing at the agency of cyber -motion sensor drawing construct an archive and mapping mood and mode upon the torus or body of experience. In this volume the differentiation between primary and secondary agency ie a concept of nature and an experience of naturallness out of which the agency is recognised is displaced from such Romantic and Midieval coeficients such as inform Cezannes Nature thinking Through the artist or Freidrichs displacement to a...
Topics: cyber drawing, VanGorder drawing, Drawing and Philsophy, Psychology and perception, contemporary...
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May 28, 2015 Edwin VanGorder
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In this journal I have played with the disposition of a mapping sensibility as if follows the cyber drawing morphology- inside out and outside in, and arranging time to streaming with consequent adaptations of scale. The roots of an osmotic sensibility as gradients of experience are the drawing intution.
Topics: Cyber Drawing, contemporary drawing, art and philosophy, psychology and perception, VanGorder...
Zines
May 21, 2015 Edwin VanGorder
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The journal here follow in particular works interactively created towards the Archilovers zine in which the topography of ongoing projects serves as an environment I build into an a virtual level
Topics: Drawing, Cyber drawinwing, Art and Philosophy, Psychology and Perception, Art and Architecture,...
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May 19, 2015 Edwin VanGorder
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This is use of the motion sensor- cyber drawing mode as a video space that is part of the interior architecture- helps to define spaces by using art as a termata, a designator of area more emphatic than signage and more ethereal than accessories perse...
Topics: cyber drawing, architectural drawing space, contemporary drawing, psychology of perception,...